Monday, December 21, 2009
Happy Holidays from California!
नव वर्ष की शुभ कामनाएं आप सभी को हमारी ओर से !
!Feliz navidad, feliz navidad,
Prospero an`o felicidad!
(Lo siento por los acentos no puedo hacer)
Sunday, December 20, 2009
Wednesday, October 21, 2009
A toungue twister for the Mohlajees!
these rhymes were classic, handed over to us by seniors, some were not so.
Here is one fabricated by my father many years ago at a children writers' workshop.
He even won a prize.
SHALU'S SHOP
Sunshine shall shine on Shalu's shop
So Shalu's shop shall shine.
Shalu sells shoes and socks
in sizes eight and nine.
On Sunday Shalu shuts his shop
Before I open mine.
Vishwa Mitter Kapuria
Monday, October 19, 2009
सीटी
रसगुल्ला
Thursday, October 15, 2009
Diwali greetings not only at Diwali!
This is my gift for you and your loved ones not only at Diwali but for all times to come.
Blessings,
Shivani, André and Priya
Sunday, October 4, 2009
Family 5K Walk/Run
Last night we, Mohlajee's and our friends and family here in California, participated in a 5K Moonlight walk and run. The walk took place under the harvest moon, which is the full moon closest to the autumnal equinox. Often the moon is brighter with an orange color on this night. Despite the lack of street lights on portions of the trail, the moon provided ample luminance for walking and running. The weather was comfortably cool :)
It was a lot of fun and everyone got some exercise in the process. We are proud of everyone who participated. Especially, Ambika for walking the distance without a single complaint and Anshu Didi for organizing and encouraging the family to particapate! Afterwards, we met back at our house for a pizza party!
Tuesday, September 22, 2009
Atul and Sarika Mohlajee with Family
Date: Sat, 19 Sep 2009
Dear Ajaya Bhaiya,
Your Lahore visit was impressive. I wonder why no one else has gone there before. I can see that you could not video all due to purdah in the house. Here is our photo for the blog per Mahendar uncle's email earlier.
See more of the blog. Keep it going.
Atul Mohlajee (Litty)"
Our names are:
Atul Mohlajee, Sarika Mohlajee, Divya Mohlajee 14, and Navya Mohlajee 10,
and we are from Chicago. We live in OakPark, Illinois, about 8 miles West from Downtown Chicago. Any Mohlajees coming or passing by Chicago is welcome to stay with us. This photo is from Anshu's wedding.
Atul Mohlajee
Illinois 60304
U.S.A."
Dear Atul,
Saturday, September 19, 2009
Mohalian Da Mohalla
Friday, September 18, 2009
First Puja with personal visiting card of Mohla-Punjabi Saraswat Brahman
Recently i was in Coimbatore District of Tamil Nadu(India) and on my way to Pollachi further south towards Kodaikanal, i stopped and performed puja at a temple Dedicated to Vinayaka(Ganesha). Echanari Vinayagar temple is located about 13 km away from
Wednesday, September 16, 2009
LAHORI GATE TO SUTTAR MANDI TO KUCHA BULO MAL –OUR HOUSE- IN OLD CITY OF LAHORE
LAHORI GATE TO SUTTAR MANDI TO KUCHA BULO MAL –OUR HOUSE- in old city of LAHORE
My Guide had done his reiki the previous days hence knew his way to our place. His brisk walking and keenness to reach the known destination made me miss few landmarks as explained by Uncle Mahender in his directions. His written note said “Go inside the Lahori Gate; continue until you reach a fork. Stay on the left side (do not go straight) for Suttar Mandi Chowk. There used to be sweet shop on the left side, Bauji used to purchase sweets every night while coming back from his shop around 9 p.m. By the way, the shop used to make my favorite Chaana Murki. After the partition, he opened the shop in Jalandhar to my great enjoyment and satisfaction. When you reach Suttar Mandi Chowk, you will notice that there are at least 4 streets radiating out of the Chowk. Continue onto the street on the right hand side to Vaccho Wali”.
I learnt from my Guide that
Today, out of 13, only Bhati Gate, Delhi Gate, Kashmiri Gate, Lahori Gate, Roshnai Gate and Shairanwala Gate survive. Most of them were in urgent need of repair and restoration.
The "Lohari Gate” and not “Lahori Gate” as we know,is very close to "Bhati Gate." Like many other gates, it was built to keep enemies out. Although it is now surrounded by shops and stalls, it still has great architectural significance. In
At Lahori gate on the left hand side we saw shops selling fruits and on the right hand side florists sell variety of flowers -predominantly “Genda” Marigold flowers- and garlands made out of them. They cater to the needs of people calling on a “Muslim Masjid” (Mosque) besides Lahori Gate. As you move towards the gate, carts and hawkers are strategically placed, so that you cannot miss a collision course with them and pause a while to have peep into stuffs lying. Most glaring and out of place thing seen by me was mouse traps and rat poisons/cockroach killers of all kinds. An indication for me, a warning bell, of the decay and neglect expected ahead.Inside the arch of this gate , small rooms-originally meant for sentries(guards) were used as shops selling household wares and utility tools. Interestingly sugarcane cubes (Gunderi) were also prepared and sold over the counter.
The convoluted and unpainted walls around streets of the inner city remain almost intact, the “Lahori” bricks stead fasted, stuck to their place, even the rapid demolition and frequently illegal rebuilding taking place throughout the city could not affect them. Instead newer and inferior construction attracts attention as a cause for erosion of the historic fabric. The old houses in the city are usually two or three stories tall, with brick façades, flat roofs, richly carved wooden balconies and overhanging windows, all untended yet as stubborn and obstinate as Religious Fanatics.
As per the list I should have encountered Favorite sweet shop-“Chaina Moorki” or “Chana Murgi”-instead I found that to be a Meat shop with overhanging Beef meat, denuded, blood exuding and dripping , a sight often disliked and detested by Hindu’s of pre partition days.
Finally we reached Suttar Mandi Chowk as my guide pointed to the place. Hardly a “chowk”-cross road- by definition it almost looked like 4 way coinciding alleys, trying to run each other over. The physical conditions in the walled city itself are in a serious state of decay. Electrical wiring is old and dangerous, loosely hung at times “Phanda”(loop) on the main line- a source of free power at the expense of electricity boards and the exchequer-could be seen everywhere. Water supply and street drainage lie at the root of most of the environmental and structural problems of the walled cities of this subcontinent. The water distribution network is very old and the pipes that are carrying water are all arranged through private connections. The result is lack of pressure. The existing sewerage consists of a system of open drains into which all the refuse are discharged. Heaps of garbage can be seen in every street and road of the walled city, creating both traffic and environmental problems.
The space left by emigrants from the old city then got filled by commercial interests, mostly small scale manufacturers and wholesalers. The advantages for commercial interests were the readily available cheap labour, as well as relative anonymity, which facilitated the evasion of most national and local taxation. This led to more commercial development mainly because of the absence of enforcement of building regulations and cheap plots. An analogy can be easily drawn with Indian old cities that have dominant muslim population and similar socio-economic fabric.
Natural gas pipeline works undertaken by the Government with the help of program called SUSTAINABLE DEVELOPMENT OF WALLED CITY (SDWCL) was the only difference I could see between Jumma Masjid/ Ajmeri Gate of areas old
I was told that population in walled city averages about 1100 persons per hectare, compared to about 160 persons per hectare in the rest of the metropolitan area. The building stock in the walled city has not increased in over a hundred years. Plot sizes are extremely small with average size of 40 square meters. The average household size is nearly seven persons and one third of the population lives in single room units.
Anyway, these talks made me exhausted and thankfully my guide stopped dead in front of our Lane” Kucha Bulo Mal”. Uncle Mahender’s word kept ringing in my ears “Continuing on, the 3rd gali on the right hand side is Kucha Bullo Mal. There are 2 Kucha Bullo Mals. If you face the gali with probably 2 steps and irongate, on your back will be a Haveli with a store underneath on side. That was our Kucha Bullo Mal”. My happiness was unbounded to see the
Forget the well(not to be seen) this person stood right in front of the house described so vividly by Uncle that came alive in front of my eyes. The left side of the entrance had a Ayala (Niche) as usual in earlier days for lighting of “diya”(lamp) in the evenings.
“If you do go inside, as you reach the ground floor (which is up 4+ steps), the room on the right side is the one Papaji used to sleep in during the winters. During day time, it was used by ladies as a drawing room”. Yes! The room was very much there. I shall describe it later.
Tayaji’s( Shiv Narain Mohlajee V-2)Floor and Shiv kumar Mohlajee’s study.
He further directed “If you do venture upstairs, at the first mid level there was a small room which was by Shiv bhai’s study room”. Well it was exactly as he described except that Saddi Uncle’s/Shiv Bhai ( Shiv Kumar Mohlajee) study became kitchen for the present incumbent where a big size chapatti was being roasted on LPG gas stove. His room was actually a recess-a balcony covered. Perhaps this very room fermented in him a famous photographer as sight from the window outside must have given him many a views and fertile imagination.
Mahender Uncle’s words kept coming back “The first floor was the living space for Bade Tayaji (Shiv narain Mohlajee) and family, with its own kitchen, pujasthan in a recessed built-in almirah, drawing/ eating/ winter sleeping areas.”
The present incumbent had kept the house in a good shape with wall papers plastered all over and presented a typical lower middle income group show with color TV in the drawing room, colorful PAK ceiling fans- let me tell you they are as sturdy as any Russian equipment but power guzzlers, highly uneconomical and drain on electrical resource. An opening in the ceiling was covered by a camouflaged sheet. This must be "Magh" dumbwaiter of those days, a means of commuting and transferring things from ground floor to the floors up. Two big shelves besides fireplace were covered differently, one with curtain and the other with wooden doors. The fire place was more like a dummy, and used as a mantle with record player on top. A window, opening to the other side, overlooking a Shiv Mandir behind (Maybe that was Mohalla Mohlian) could be seen. The hall looked big as the intermediate wall was removed to give it an open look.
The dining room had a refrigerator, microwave oven, toaster, washing machine and even sewing machine neatly placed with wash basin in the corner. A niche (made later) was evident above this dining area and I was invited to go up the ladder for a peep. The person with moustache in the video is the tailor who led us to the house.
I think this was a place where BadeTayaji and family would sit over a “dari”-rug on the floor and have food served on a thali laid over wooden stool. This reminds of a very fascinating and amusing sight of my great grandmother ( Karam devi V-1) having her food. I must have been less than 5 years in age, watching this military drill; elaborate and precise; during my frequent visits to Gandparents home at Motinagar New Delhi. The floor would be sprinkled with water (if she had her ways with Holy Ganges water) and wiped clean. Two wooden stools were laid for her one with large thali (plate) and other covered with rug for her to sit. She would then come down from her bed, a frail lady would be transformed into a ferocious fighter who would utter no words and express only in symbols (I was told it is customary not to speak while eating food). She would first wash her hands-check me someone if I am wrong- and sprinkle the water around the thali, recite some prayers. She would then take one bite and leave it aside or give to someone- I am not very sure- to start her food intake. The call for a chapatti or dish or water would be invariably through sign language well known to my grandmother who in fact would anticipate her needs. Once in a while she would err to have a violent reprimand in signage from the Grand lady. As the “Parpota” (great grandson) and naughty one, it used to be my endeavor to make her speak or utter some words. Initially it was relished by some, and then persistent nagging on my part became a nuisance of sorts, which was best avoided by drawing me away on some pretext or the other. On occasions I would imitate her style but failed to match her discipline of “no talk”, personal hygiene and utterance of hymns. All these thoughts came in a flourish and vanished as they came. Amazing! How memories have a way of playing hide and seek with you.
In Search of Chander Shekhar & Bros. Family book store on Mohan Lal Rd.(Urdu Bazar now) Lahore
The devastation of Sheetla Mata Ka Mandir left me indented with the unending and outdated politics of these two nations one Father and other the son. These meaningless attacks on religious places inflicting wounds that heal but leave indelible scars and marks on the psyche of progenies, who otherwise have pure embryonic mind that attains life untainted, unaffected and unscarred of any impressions. Since the day of my landing at
Once inside the quiet of
“As you come out of the Mandir to proceed towards Lahori Gate, on your left is Police Station (
Never mind, perhaps my heart and feelings were partial to my hosts as their love and affection enveloped all my gloom. Now"gopast it and enter
I waded my way with a purpose and vigor of a young boy following his father to buy books for his new school. Apparently I was walking briskly, at the same time absorbing the surroundings and its activities through the corner of my eyes. There were all sorts of people, some carrying huge wicker baskets on their head balancing and carrying loads of books, some carrying note books and some carrying waste papers. It was very difficult, if not impossible, for any vehicle to drive through this maddening crowd, analogous of the scenes witnessed at Chandni Chowk or Ajmeri Gate or Khari Baoli of Old Delhi. I noticed a “Bharbunjan” selling “singara’s” (water-nut) at the road side. An all time favorite nut fruit sold from
Some street vendors were selling pens, envelopes, lighters (an odd man out), key chains, stickers, maps and all sorts of accessories needed by students of all classes.
On our way to Bauji’s Old Shop (Book Store) and Daddy’s Chander Shekhar & Brothers, informed my guide that
Before I proceed further I must appreciate one Lahori practice of first seeking a persons name and origin and upon knowing that one is original Lahori, their happiness is unbounded and beyond my scope of defining. The amount of love, warmth and affection that outpours from within-as if compressed by a spring- overwhelms all your emotions and make you forget the very purpose of your existence in that place. It is nigh impossible to leave without having Piping hot “Pink tea” of Lahore-a “khalis”(pure) buffalo milk mixed tea, with flavours, pistacchios and almonds, unmistakably Pink in colour, sometimes also refered a “Kashmiri Chah” or “Green tea”. I was told that during chilly winters “karak”(strong) tea overtakes pink tea as it is boiling hot and thick, to be taken without blowing air to cool at rims of “kullar” (earthen ware glass)-usual practice adopted to lessen the impact of hot drink.
Anyway, we restarted from original place where temple was and pinpointed on a twin shop that had one shop open other closed-since partition days- and a small door leading upstairs. We went and spoke to the owner of shop who agreed to the fact that, these shops belonged to Hindu Brahmans before partition. Strengthened in belief that I am at the right place, imagined Bauji and Daddy sitting exactly how present Father and son duo were seated, going about their business. It was a great feeling, I mentally placed all the “kaidas”( grammar) books of Chander Shekhar & Bros. on the shelves of this shop- that Bauji managed to store for many decades in Motinagar house and later few samples were left at our place in Munirka. Regretfully, all of them have been lost for various reasons. As a naughty child (baal of chachiji) I relished touching those books especially when Bauji was around to watch his reaction from the corner of my eyes that would seemingly say “ here goes ancestral property at the hands of useless grandson” As always he held himself in check fearing Chachiji’s retort “Baal Hai”.
Next Search: New Shop CHANDER SHEKHAR & BROS.
“Go past the Mandir,” wrote Uncle Mahender in his directions to important landmarks of
We did exactly the same and located Parpunja’s shop (you will see in the video with a street leading to Anarkali bazaar) but to our great dismay original shop of Chander Shekhar & Bros. was demolished and a new building stood as stark contrast to all olden structures, thereby robbing me of a great chance to experience, enjoy and imitate my father’s business of pre-partition days.
Thus, my hot pursuit of an important landmark i grew up hearing all my childhood, came to an end. It was a damp squib(anti) climax of a movie that promised a lot but failed to deliver at the Box-office.
Tuesday, September 15, 2009
NOURSHING THE MOHLAJEE BLOG
Dear Family,
Greetings and Namaskar to you all!
The MOHLAJEE’S WORLD Blog started by dear Ajaya in June has grown tremendously during the past few months. We have learnt that we are Punjabi Sarsawat Brahmins, belong to the Mohla Clan, are a part of Panchjati of Purohits, and our Gotra is Somastam. And thanks to the well researched Ajaya’s Posting, we have a Visiting Card to proudly announce our roots and heritage to the Purohits of Mandirs and Tirathsthans.
Our known Vanshavali goes back atleast to 300 plus years. However, probably no historical records exist that could describe as to how did our distant ancestors live? Purohits or other work?Moved from? Moved to? When? Dresses? Social customs? Family traditions? Marriages and other ceremonies? Names of womenfolk and children? These and similar questions will remain unanswered in our mind for ever. We will , however, continue to do research. May be with the information from the Tirathsthan Purohits , that you all will gather, some of the questions may be answered.
Together we can answer similar questions about Thula Misr Ji and his descendants. Recent postings of Sharda bahinji, Prem bhai, Jyoti bhabhi, dear Shivani, Ajaya, Anjali, and Nakula are a good start. We now are familiar with their families' lives and also have a glimpse at the lives of Thula Misr Ji and Bhaiyaji.
Now, we are at cross roads. The Blog needs more nourishment from the family for it to continue to grow. Madan bhai has given us an outline of a job for each one of us to fulfill the mission of our Blog.
As posted by Ajaya, it reads:
“ I received another interesting comment(s) on my postings from my learned Uncle Lall (Madan) over telephone last night. He said:
1. Try and find date of birth and death and place of living of all those mentioned in the english(version) Vanshavalli.
2. To begin with start from the latest generation and the immediate elders.
3. Try and place their individual pictures and sketch their bio data or brief note about them.
4. Reach out to people who are mentioned in the Vanshavali and currently out of touch to expand the horizon.e.g. he will search for contact details of M.L.Jhingan (Murari) mentioned therein, who is a learned scholar of economics and potentially great contributor to our blog.
5. Most important task assigned: download all the entries in print and store someplace for future archives or library of Mohla Clan so that it remains an eternal document for future generations to come.I think great ideas and we should work on them.”
Here are my suggestions to the family to accomplish our "Blog" mission:
Family Photos: The photo idea was originally suggested by Anshu when we were preparing the English Vanshavali. Anjali tried to locate the photos but it was difficult for us to decide which photos to use. Finally, we came to the conclusion that it should be left to each family to decide which photo to publish.
So please post your family photos making reference to the Vanshavali sheet like V-2 etc. Alternately, you can send the photos to Ajaya or me for posting.
Birth and death and place of living: Please send information to Ajaya or me for adding the information to the Vanshavali.
Bio data or brief note: Jyoti bhabhi, and dear Shivani and Ajaya have posted very commendable bio-data of their families. We need contributions from each and every one of us about their families, parents, aunts, uncles, siblings and children. We all are busy; please do find a few minutes now and then to this.
Bhaiyaji, Bhabhoji, Dadaji and Dadiji: This is urgent! Only a few us have knowledge about and memories of our recent ancestors’ lives. We should follow the example of Sharda bahinji and share our memories with the family and upcoming generations. Please write SOON.
Unansered Queries: Ajaya and others have queried about certain individuals and facts in their postings. Please read the postings and post your responses and/ or comments as new Postings.
Travels: Ajaya has posted his impressions na video of his trip to Sheetla Mandir in Lahore.
We all need to share our interesting travles with the family.
Please share this posting with your family, read it to them, print for them to read, and translate in Hindi if need be.
Spread the mission of the Blog! And encourage every one to contribute.
Thanks
Mahender
Note: Most sections of the posting was sent as an e-mail to the addresses that I had.
Sunday, September 6, 2009
Sheetla Mata Mandir visit- Lahore
He jumped out of the car asking me to follow. Hurriedly, with camera in one hand I jostled amongst the crowd oblivious of cacophony made by bustling traffic, and halted in front of a place pronounced as Sheetla Mata ka Mandir. It is on the left side of circular road on the way to Lahori Gate from Shah Alami Gate of Lahore.
This was my first step of eagerly awaited journey to seek my roots and see places where my ancestors lived, worked, worshipped, shopped, and strolled before the cruel fate of partition, did them apart from what they loved most.
I had to train my eyes so as to locate the familiar façade of a temple and found a dilapidated structure once Famous Temple that withstood the test of times and stayed with the great city of LAV-Lahore. Even the ravaging armies of Alexander who looted and plundered it many times over, could not decimate its soul and character.
Excitedly I said first take my pictures before this vanishing façade-as if it will erode any moment into oblivion. Janaab! Mandir nu Dha ta Twade Babri Masjid de jhagde wele.(The Mandir was demolished after Babri Masjid episode of Yours(
What I saw then was another shocker. In this small cave like entrance a box (shoe box) making unit was operational. It was a mass of cardboards and small children working. There was too little a space for the people living inside, yet they guarded their own as all Mohajirs or immigrants from neighboring towns and villages of
We moved around the sanctum to at least follow the parikrama(circum ambulance) route but met with same resistance a sea of humanity, filth, broken furnitures, clothlines blocking our path and cockerels floating around objecting to my presence with their "cuckudu kudu" cackling. My secret desire, to follow on the footsteps of my elders, tread on their footmarks made by constant walking around, met with no success. As tears rolled out of the corner of my eyes I dug deeper into viewfinder of my camera.
Someone suggested going to the roof top for a look at the Shikhar (Tower). As we climbed the steps several small rooms and their doors made our movement quite difficult especially with curious looking inmates coming out. On reaching the top I asked an old man who accompanied my climb upstairs. Where is the Gumbad/Shikhar (tower)? “ Kee gal karde ho Bauji ethe 60 salaan ch bande mar jaande ne te Gumbad kithe labbe ga.”( What Sir! People die in 60 years and you come searching for Tower?) Came the reply in Lahori Punjabi-can hear him in the video.
How would they know the importance of this temple in my psyche?. I have grown up watching Bauji(Grandfather Mohlan Lalji) sitting opposite Chachiji(my Grandmother maimon) inside kitchen of Motinagar reciting Matas shlokas(verses) with regret that he missed his daily chore of going to Sheetla Mata Mandir at Lahore for his Paath and Puja(Daily prayers).Lateron I was told that Idols of most Hindu Temples (around 250-300 in
In fact Doodhwali Mata Mandir between Shah Alami and Lahori gate has somehow managed to survive (amongst 3-4 dozen Hindu temples in
A study conducted by the Daily Times reveals that city has no place where Hindus can be cremated.
Saturday, September 5, 2009
Punjabi Saraswat Brahman-Mohla, Somastam Gotra, Som, Budh, Pururava and Soumaya Pravara,Kalpa Sutra, Madhyandina Shakha, Shukla Yajurvedi- Part 3
Q5. What is our Parivar? Ans. Som Pravara. Namely,Som,Budha, Pururava, and Soumya.
Pravara. — The word literally means a person duly appointed. Such as Rishis who were entitled to be appointed as assistant priests for the performance of the religious ceremonies of his ancestors. Pravara is the number of the most excellent Rishis who belonged to that particular gotra to which a person belongs. Gotra is the name of the founding father. In Vedic ritual, pravara appears to be used in proclaiming, one as a descendant of worthy ancestors, one is fit and proper person to do the act that he is performing.
The sacred thread called as Upavita or Yagnopavita or Janeo has close connection with the concept of pravaras related to Brahmin gotra system. While tying the knots of sacred thread, an oath is taken in the name of each one of these three or five or seven or nine of the most excellent Rishis belonging to one's gotra. While the Gotras were classified initially according to nine (?) Rishis, the Pravara was classified under the names of the following seven Rishis namely, Agastya, Angirasa, Atri, Bhrigu, Kashyapa, Vasista, Viswaamitra.
The pravara identifies the association of a person with three or sometimes five and some times seven and interestingly sometimes nine.
What is Yajñopavītam ?
Yajñopavītam - the "Sacred Thread" or “above the shoulder” –are meaning in Sanskrit.Brahmans, Kshatriyas and Vysyas are called Dvijas meaning twice born. A man of these castes is born once in the womb of his mother and again during the Upanayanam (Yajñopavītam ceremony) when he learns the Gayatri Mantra.
Upanayanam ceremony is the wearing of the Yajñopavītam/Janeo (Sacred Thread) on the body. The thread is circular, being tied end-to-end (only one knot is permissible); it is normally supported on the left shoulder (savya) and wrapped around the body, falling underneath the right arm. The length of the thread is generally 96 times the breadth of four fingers of a man, which is believed to be equal to his height. Each of the four fingers represents one of the four states that the soul of a man experiences: waking, dreaming, dreamless sleep and knowledge of the absolute.
Yajñopavītam has three threads (actually only one thread, folded three times and tied together) each consisting of three strands. These threads represent
Goddess Gayatri (Goddess of mind),
Goddess Saraswati (Goddess of word) and
Goddess Savitri (Goddess of deed).
It denotes that one who wear the sacred thread should be pure in his thought, word and deed. The sacred thread reminds a Brahmachari to lead a regulated life with purity in his thought, word and deed. These threads also represent the debt that is owed to the guru, parents and society.
The knot in the middle, represent the formless Brahman, the pure form of energy which pervades all. The three threads again represent the manifestation of Brahman as Srishti (creation), Sthithi (status) and Vinasa (destruction). The sacred thread illustrates the fact that everything in the universe emerges from and then merges with Brahman.
Ancient texts refer to the wearing of the Yajñopavītam in three forms:
- Upavītam, where the Yajñopavītam is worn over the left shoulder and under the right arm. This is for Gods. Upavītam is also called Savya (Katyayana Shrauta Sutra.).
- Nivītam, where the Yajñopavītam is worn around the neck and over the chest. Nivīta form is to be used during Rishi Tharpana, sexual intercourse, answering the calls of nature etc. (Shadvimsha Brahmana, Latyayana, etc.).
- Prachīnavītam is where the Yajñopavītam is worn above the right shoulder and under the left arm. This is for Spirits and is used by men when performing the death ceremonies of an elder. Prachīnavītam is also called apsavya (Katyayana Shrauta Sutra, Manusmriti, &c.).
This reminds me of Bade Tayaji (Pt. Shivnarain Mohlajee) who followed these rituals diligently, to my amusement as a child.
The numbers of thread vary, according to communities as they keep adding on for reasons as per Vedas followed by them.
Ancient Hindu texts specify an age for the Upanayanam ceremony based on the caste (7 for brahmans, 11 for Kshathriyas etc.) Upanayanam marks the start of learning of "Brahman" and Vedic texts. Once a student achieves a certain level of Brahma knowledge ("Brahma Vidya"), the guru adds 3 more strings signifying "Graduation" and the student goes on to study. In South Indian wedding ceremony, the addition of the 3 more string is followed by "Kashi Yatra"- a journey equivalent to going abroad or other place for study.
In modern days, the entire ceremony is packaged within the wedding ceremony.
I recall, during every religious functions / marriage/ ceremonies,elders in our family used to tease we boys. Wait till your time comes for (Upanayanam) they will make you drink COW URINE (Gomutra) which made us run for cover. Thankfully, I was not asked to drink Gomutra for my Janeo(Upanayanam) on the occasion of marriage
The sacred thread is supposed to be worn for the rest of one's life after the ceremony has been performed. A new thread is worn and the old thread discarded every year; the change-over ceremony is held on a specific date calculated as per the Hindu lunar calendar. Among Brahmans, this date varies depending on which of four Vedic Shakhas one belongs to. As per my understanding Shukla Yajurvedis perform this ceremony on a Full Moon day of the month of Shravan (Monsoon)
Q6. What is your Veda?
Ans. We follow Shukla Yajurveda
There is a story of the formation of Yajurveda as earlier period had known only two Vedas Rig veda and Sam-veda.
The story
According to Indian tradition, Yajnavalkya(pronounced as Yagnavalkya) was the son of sage Devaraata and was the pupil of sage Vaishampayana. Once, Vaishampayana got angry with Yajnavalkya as he sensed pride in his demeanour. The angry teacher asked his pupil Yajnavalkya to give back all the knowledge of Yajurveda he taught him. As per the demands of his Guru, Yajnavalkya vomited all the knowledge that he acquired from his teacher in form of eaten food. Other disciples of Vaishampayana took the form of partridge birds and consumed the vomited stuff because it was knowledge and they were very eager to receive the same.
The Sanskrit name for partridge is "Tittiri". As the Tittiri (partridge) birds ate this Veda, it is thenceforth called the Taittiriya Yajurveda. It is also known as Krishna Yajurveda or Black-Yajurveda or Mixed –Yajurveda on account of it being a vomited substance. The Taittiriya Samhita thus belongs to this Yajurveda.
Then Yajnavalkya determined not to have any human guru thereafter. Thus he began to propitiate the Sun God, Surya. Yajnavalkya worshipped and extolled the Sun, the master of the Vedas, for the purpose of acquiring the fresh Vedic portions not known to his preceptor, Vaishampayana.
The Sun God, pleased with Yajnavalkya’s penance, assumed the form of a horse and graced the sage with such fresh portions of the Yajurveda as were not known to any other. This portion of the Yajurveda goes by the name of Shukla Yajurveda or White-Yajurveda on account of it being revealed by Sun. It is also known as Vajasaneya Yajurveda, because it was evolved in great rapidity by Sun who was in the form of a horse through his manes. In Sanskrit, term "Vaji" means horse. Yajnavalkya divided this Vajasaneya Yajurveda again into fifteen branches, each branch comprising hundreds of Yajus Mantras. Sages like Kanva, Madhyandina and others learnt those and Shukla Yajurveda branched into popular recensions named after them.
Yajnavalkya married two wives. One was Maitreyi and the other Katyayani. Of the two, Maitreyi was a Brahmavadini ( one who is interested in the knowledge of Brahman ) . Yajnavalkya described greatness of the Absolute Self, the nature of its existence, the way of attaining infinite knowledge and immortality, etc. This immortal conversation between Yajnavalkya and Maitreyi( his favored wife) is recorded in the Brihadaranyaka Upanishad where he also shares his wisdom equally with King Janak .He also participates in a competition arranged by King Janaka about selection of great Brhama Jnani ( knower of Brahman). His intellectual dialogues with Gargi (a learned scholar of the times) form a beautiful chapter filled with lot of philosohical and mystical question-answers in BrhadaranyakaUpanishad. His precepts as contained in this Upanishad stand foremost as the crest-jewel of the highest teachings on knowledge of Brahman. In the end, Yajnavalkya took VidvatSanyasa (renunciation after the attainment of the knowledge of Brahman) and retired to the forest.
His Works
Main articles: Shatapatha Brahmana and Brhadaranyaka Upanishad
Yajnavalkya has made important contributions to both philosophy, including the apophatic teaching of 'neti neti' , and to astronomy, describing the 95-year cycle to synchronize the motions of the sun and the moon.
Yajnavalkya is known to be a native of
The Shatapatha Brahmana ( śatapatha brāhmaṇa, "Brahmana of one-hundred paths", abbreviated ŚB) is one of the prose texts describing the Vedic ritual, associated with the Shukla Yajurveda. It survives in two editions, Madhyandina (ŚBM, of the vājasaneyi madhyandina śākhā) and Kanva (ŚBK, of the kāṇva śākhā), with the former having the eponymous 100 brahmanas in 14 books.Linguistically, it belongs to the Brahmana period of Vedic Sanskrit, dated to the first half of the 1st millennium BCE (Iron Age India).
Among the points of interest are the mythological sections embedded in it, including myths of creation and the Deluge of Manu. The text describes in great detail the preparation of altars, ceremonial objects, ritual recitations, and the Soma libation, along with the symbolic attributes of every aspect of the rituals.
Shukla Yajurveda mentions numbers in ascending power of the tens. They believed in division of society according to Varnas and not colors.
Every verse ends with “ten me manah shivsankalpa astu” On that the auspicious will of the divine may my mind dwell.
Greatest contribution of Shukla Yajurveda is addition of Prefix “Bhur Bhav Svah” in Gayatri mantra of Rigveda.
Our ancestors followed this Veda which explains their moderate behavior, simplified ceremonies and spirit of tolerance towards others sects, cults and varnas.
Q.7.What is your Sakha(Shakha)?
Ans. We are followers of Madhyandina Sakha of Shukla Yajurveda
A Shakha (Sanskrit śākhā, "branch" or "limb"), is a Hindu theological school that specializes in learning certain Vedic texts. An individual follower of a particular school or recension is called a śākhin. Akin to our following CBSE (Central Board of secondary education)or ICSE (Indian council for secondary education) curriculam in High School.
A related term Caraṇa, ("conduct of life" or "behavior") is also used to refer to such a Vedic school " caraṇa properly applies to the sect or collection of persons united in one school, and śākhā to the traditional text followed, as in the phrase śākhām adhite, ("he recites a particular version of the Veda")". The schools have different points of view, described as "difference of (Vedic) school" (śākhābhedaḥ). Each school would learn a specific Vedic Saṃhita (one of the "four Vedas" properly so-called), as well as its associated Brahmana, Aranyakas, Shrautasutras, Grhyasutras andUpanishads.
In traditional Hindu society affiliation with a specific school is an important aspect of class identity. By the end of the Rig Vedic period the term Brahaman had come to be applied to all members of the priestly class, but there were subdivisions within this order based both on caste and on the Shakha (branch) with which they were affiliated. A Brahaman who changed school would be called "a traitor to his śākhā" (śākhāraṇḍaḥ).
Map of early Iron Age Vedic India after Witzel (1989). Location hypotheses for Vedic shakhas are shown in green.
According to “Hindu Castes & Sects” (pages 85-86) that Madhyandina Sakha attach great importance to the performance of sandhya prayer after 11 am. Whereas Rig vedis can perform such ceremonies at any time of the day.
Madhyandina sakha emphasizes the need to give some knowledge to Shudra and Viashyas too. Stated by Arthur Anthony Macdowell in his “Vedic Mythology”
The 14 books of the Madhyandina recension can be divided into two major parts. The first 9 books have close textual commentaries, often line by line, of the first 18 books of the corresponding samhita of theYajurveda. The following 5 books cover supplementary and ritualistically newer material, besides including the celebrated Brhadaranyaka Upanishad as most of the 14th and last book.
Shukla Yajurveda mentions numbers in ascending power of the tens.
They believed in division of society according to Varnas and not colors.
Thus we see the difference in customs, practices, ceremonies and teachings of different Sakha.
Finally,
A Brahman named 'Ajaya' introduces himself as follows: I am 'Ajaya Mohla', a Punjabi Saraswat Brahman of Somastam gotra, of Kalpa sutra, of Madhyandina shākha of Shukla Yajurveda, of Som pravaras named Som, Budh,Pururava, Soumya.)
References & Readings from:
1.WikiPedia
2."Vedic Mythology" By A.A.Macdonell
3."Indian caste" By John Wilson
4."A glossary of the tribes and castes of the Panjab and North-West Frontier Province" by H.A.Rose
5."A classical dictionary of
6."Ethnography -castes & tribes" By Sir Athelstane Baines
7."The Puranas" A compact english-only version of the major 18 puranas in one document By Dharmic Scriptures Team
8."Hindu Castes & Sects" By Jogender Nath Bhattacharya
9. Inspired by the articles of Smt. Sharda Kapuria,Shri Prem Narayan Mohlajee & Shri Mahendra Pratap Mohlajee in this blog.